Books: Monographs

• No Mother, No Future: Performing Motherhood and Reproductive Loss. Routledge Press, 2026.
• Political Adaptation in Canadian Theatre. McGill-Queen’s University Press, 2020. 

Books: Edited Books and Essay Collections

• The God of Gods: A Canadian Play by Carroll Aikins. University of Ottawa Press, 2016.
• Slings & Arrows: Adapting Shakespeare as Canada in Theatre and Television. Co-edited by Don Moore. University of Toronto Press, 2026. 

Editor: Journals

• Editor, The Antigonish Review, 2025-present
• Associate Editor, Canadian Theatre Review, 2023-present

Digital Projects

• Editor, with Robin Whittaker, The Atlantic Canadian Theatre Site, 2026-present

Articles and Book Chapters

• “Motherhood as Nationhood in Still Stands the House.” Rethinking Motherhood. Ed. Karen Bamford, Sheila Rabillard. McGill-Queen’s University Press, forthcoming 2027. 
• “Archives of Aquariums and Audience Immersion in Secret Life of a Mother.” Making Moscovitch: A Feminist Theatre Scrapbook. Ed. Sasha Kovacs and Michelle MacArthur. Playwrights Canada Press, forthcoming 2027.
• “Together We Scream: Staging the Universal Child Care Crisis in Four of the Richest Countries.” Representing Reproduction in Contemporary Literature and Visual Culture: Time, Crisis and Futurity. Edited by Alice Hall and Melissa Oliver-Powell. Edinburgh University Press, forthcoming, 2026.
• “(Un)Making History? Canadian Theatre History and the Canadian Theatre Review.” Performance Matters, “Reassembling CTR 199-200” 12.1 (2026): 11-20.
• “Slings & Arrows: Adapting Shakespeare as Canada in Theatre and Television.” Slings & Arrows: Adapting Shakespeare in Theatre and Television. University of Toronto Press, 2026. 3-27. 
• “Performing ‘A Nobody’: An Interview with Rothaford Gray on His Role as Nahum in Slings & Arrows.” Co-Authored with Don Moore. Slings & Arrows: Adapting Shakespeare in Theatre and Television. University of Toronto Press, 2026. 108-121.
• “Why Shakespeare? Why Canada?: An Interview with Susan Coyne, Bob Martin, and Mark McKinney on Creating Slings & Arrows.” Slings & Arrows: Adapting Shakespeare in Theatre and Television. University of Toronto Press, 2026. 247-264. 
• “New in Town: An Interview with Three Creators of a Cabaret for New Canadian Citizens.” Interview with Anuj K. Jain, Justin Gregg, and Laura Teasdale. Canadian Theatre Review 201 (2025): 99-103.  
• “A Past-Perfect Future?: Performing the Past as the Future of Theatre in Atlantic Canada.” Canadian Theatre Review 201 (2025): 30-32. 
• “(Un)Making History? Canadian Theatre History and the Canadian Theatre Review.” Canadian Theatre Review 200 (2024): 10-16. (Reprinted in Performance Matters.)
• “Ruined Madonna with Child: Challenging Racialized Motherhood and the Sixties Scoop in Indigenous Theatre.” The Palgrave Handbook of Reproductive Justice and Literature. Springer International Publishing, 2022. 556–78. 
• “Everyone is Happy! Performing Adaptation, Irony, and Gender in The Millennial Malcontent.” Voices of a Generation. Ed. Michelle MacArthur. Playwrights Canada Press, 2022. 53-8. 
• “Untold Stories of Slavery: Performing Pregnancy and Racial Futurity in Beatrice Chancy.” On the Other Side(s) of 150: Untold Stories and Critical Approaches to History, Literature, and Identity in Canada. Ed. Linda M. Morra and Sarah Henzi. Wilfrid Laurier University Press, 2021. 134-150.  
• “Performing This is for You, Anna as #MeToo: Sexual Harassment and Performance-Based Activism on a University Campus.” Canadian Theatre Review 180 (2019): 27-35. 
• “Failed Futurity: Performing Abortion in Merrill Denison’s Marsh Hay.” Canadian Literature 232 (2017): 100-16. 
• “Dispublics: Popular Yet Political Spectatorship in Margaret Atwood’s The Penelopiad and Erin Shields’s If We Were Birds.” Theatre Journal 69.2 (2017): 213-34.  
• “Making Radio, Making History: Merrill Denison’s Alexander Mackenzie.” Past Lives: Performing Canada’s Histories. Ed. Heather Davis-Fisch. Playwrights Canada Press, 2017. 189-196. 
• “Bringing the Text to Life: Editing the Modernist Canadian Play The God of Gods.” Making Canada New: Editing, Modernism, and New Media. Ed. Dean Irvine, Vanessa Lent, and Bart Vautour. University of Toronto Press, 2017. 189-211. 
• “‘Who’s There?’: Slings & Arrows’ Audience Dynamics.” Shakespeare and Canada: Remembrance of Ourselves. Ed. Irene Makaryk and Kathryn Prince. University of Ottawa Press, 2017. 79-95.
• “Performing Cultural Crossroads: The Subject-Making Functions of ‘I am’ Declarations in Daniel David Moses’s Almighty Voice and His Wife.” Theatre Research in Canada/Recherches théâtrales au Canada 35.2 (2014): 80-105.  
• “Politicizing Difference: (Re)Claiming Canadian Theatre History and ‘Les Sauvages’ in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune.” Studies in Canadian Literature 38.1 (2013): 8-28.