Antigonish, Nova Scotia, Canada

Murray Gibson, studio faculty in the StFX Art Department, inducted into the Royal Canadian Academy of Arts

November 4th, 2019
2019 RCA inductees include, l-r, Nick Shinn, graphic designer; tapestry artist and part-time StFX Art Department studio faculty Murray Gibson; and Jinny Yu, painter. Absent is Annie Thibault, installation and inter-disciplinary artist.

Murray Gibson, tapestry artist and part-time studio faculty in the StFX Art Department, was inducted on Oct. 26, 2019 into the Royal Canadian Academy of Arts, which celebrates the achievement of excellence and innovation by Canadian artists and designers across the country.

The Royal Canadian Academy of Arts is an honourary organization of over 700 established professional artists and designers from all regions of Canada. With members nominated and elected by their peers the RCA has, since 1880, come to represent many of Canada’s most distinguished visual artists and designers. 

Mr. Gibson was nominated by Jane Kidd and Marcel Marois, both recipients of the prestigious Saidye Bronfman Award, the Governor-General’s Award in Visual and Media Arts. His nomination, unanimously accepted by the RCA Elections Committee, was also supported by Jackie Anderson, jeweller, Bruce Campbell, painter and former director of the StFX Art Gallery, and William Morton, Master Dyer.

“Murray’s work epitomizes the art of contemporary tapestry. His work and contribution to the field of contemporary tapestry has been recognized nationally and internationally and Murray continues to be an influential and highly respected participant in this discipline,” Ms. Kidd wrote in her nomination letter. 

“Conceptually, Murray Gibson’s tapestries are the synthesis of extensive research. Mythical and fictitious weavers, mythology, medieval art and textile history are a few of the sources that inform his work. In his practice, he has made a commitment to mastering the traditional techniques of Gobelins tapestry. He uses this technical language, unique to tapestry, fluently; structuring works in which textile references create an allegory of intimate and nuanced allusions to female characters from myth, religion and history. Though steeped in historical references the narratives woven into his tapestries draw us into conversations about contemporary issues such as gender dynamics, disciplinary knowledge and the importance of historical practice in contemporary art. 

“Weaving a tapestry is a time-consuming process: from concept to finished cloth many months can pass. I am honoured to know that my long-time and somewhat lonely practice is appreciated and recognized by my peers,” Mr. Gibson said. 

The Canadian Academy of Arts was founded in 1880 under the patronage of the Governor-General of Canada, the Marquis of Lorne. Soon after, Queen Victoria gave her permission for the use of the “Royal” prefix. Artworks by early RCA members formed the foundation for the collection of the National Gallery of Canada. Notable historic members include the painters of the Group of Seven and Ozias Leduc, whose frescoes enhance the interior of St. Ninian’s Cathedral. Today RCA members represent all parts of Canada: coast-to-coast-to-coast, and include well-known filmmakers, architects, and studio artists working in all artistic media.

Mr. Gibson graduated with honours from The Alberta University of The Arts, Calgary in 1985. In 1995, he received his MA, Textiles from Goldsmith’s College, London, UK. He was named a Master Artisan of Craft Nova Scotia in 2015.  His tapestries hang in private, corporate, and public collections across North America and abroad including the Canada Council Art Bank and the Nova Scotia Art Bank. His tapestry Let’s Go to The People’s Place, created in collaboration with members of L’Arche Antigonish Hearts & Hands, hangs in the People’s Place Library in Antigonish, NS. He has been teaching part-time in the StFX Art Department since 2005.

 

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